Tag Archives: Verizon Center

Born to entertain

I’m picky about my rock legends.

Having been to scores of concerts, I’ve seen most of the musical greats live on stage, even met one or two. I still listen to all my favorite recordings, singing along and reliving the highlights of my career as an avid listener.

But I rarely go to see these idols live anymore. It often pains me to see how they’ve aged, how some have lost their ability to sing as they used to. Aging is a natural part of life, I know; I just prefer to remember the legends as they were.

Bruce Springsteen still is as he was. Only better.

I’ve told you before that I’ve been to more Springsteen concerts than I can count, the first one 37 years ago. As many Springsteen concerts as I’ve attended, I hadn’t been to one since I was in my 20s. I’m now in my 50s, as were most of the fans filling Washington, D.C.’s Verizon Center Sunday night, some of whom have spawned a whole new generation of fans.

If you’re a fan, I don’t need to tell of the magic of Bruce. If you’re not, then you likely already quit reading after the third paragraph.

This isn’t a concert review; rather, just a recap of the impressions occupying my consciousness in the afterglow of the evening.

Bruce Springsteen is a man who . . .

  • At the age of 62, is as fit and energetic as he was at 25–and plays a better guitar than ever.
  • Speaks out boldly for his passions—personal, professional and political.
  • Might not enunciate his lyrics clearly, but has millions of fans sing along verbatim.
  • Still looks on the outside like the rugged bad boy we all fell in love with, but has mellowed into a sensitive and humble man who isn’t afraid to sing about Jesus and end his show with a “God bless.”
  • Has brilliantly mastered the art of musical orchestration and stage production to the extent it seems impossible to top.
  • Deeply misses, nearly to tears, his friend and saxophone player Clarence Clemons.
  • Had the wisdom to bring in Clarence’s nephew, Jake Clemons, to fill the Big Man’s big shoes and throw in four additional horns for good measure.
  • Has proven it’s possible to work successfully, side by side, every day, with one’s spouse.

Bruce gave 20,000 lucky fans three hours of musical muscle for their money. And while he was in town, he saw to it that wounded veterans from Walter Reed Army Medical Center, as well as those served by DC Central Kitchen, were included in the magic.

Yes, indeed. The man’s still got it.

More…

For a real review, today’s Washington Post says it more eloquently than I, and had more space to work with: Read David Malitz’ excellent account.

Previous Word Nymph pieces:

The Boss
Big Dream

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Wilde night out

While many Washingtonians were reveling in the spirit of St. Patrick or cheering on their NCAA picks at the Verizon Center, I was at the Shakespeare Theatre having just as much fun. 

It was quite early this morning when I finally got home. The Shakespeare is right across the street from Verizon and both events let out at the same time. It was March madness on the subway and, from what I could tell, there were only two of us on the train who had not come from a basketball game or an Irish bar—one of the cast members and I.

Thanks to a generous friend—the same one who took me to see George Bernard Shaw’s Mrs. Warren’s Profession there last summer—I enjoyed a delightful performance of Oscar Wilde’s An Ideal Husband, a clever comedy about integrity, political pressures, sky-high expectations and misunderstood relationships. The play had some plot similarities to Mrs. Warren’s Profession, including discovery that one’s wealth sprang from shady beginnings. I also noticed that, after writing their plays in the late 19th century, both Shaw and Wilde were reprimanded for indecency, Shaw for his theme of prostitution and Wilde for personal behavior.

In a review appearing yesterday, The Washington Post criticized the play; not the production or the acting or the directing or the sets or the costumes. The Post just didn’t like the play. The Baltimore Sun was more favorable. I found it beautifully written and superbly funny.

As I was waiting on the train platform to catch the subway home, I noticed among the throngs of revelers, the young man who had played Prinz Frederich von Glücksburg in the play, standing alone with the earbuds of his iPod tucked into place, waiting for the same train. In the time it took me to exit the theatre and walk to the subway, he had exited the stage, shed white tie and tails, pulled on skinny jeans and skate shoes and walked to the subway.

We boarded the crowded car and, a couple of stops later, much of the crowd exited. Prinz Friedrich found a seat and I sat down next to him. I wanted to compliment his performance and the way he delivered all of his lines in impeccable German.

I had met this young actor, Logan DalBello, a couple of times before. I know he’s a high school senior who is thoughtfully planning his next move. He has great drive and ambition for an acting career and immense talent to match. For the last several months, in addition to applying to colleges and auditioning for university theater programs, he has gone to school at 7 a.m. and rehearsed at the Shakespeare from noon to midnight. While his friends no doubt are expressing senioritis and spring fever, he is doing eight performances a week.

Sitting on the train, where he probably wanted to decompress and collect his thoughts for the next day, he graciously indulged my compliments and questions. He even asked me what I liked best about the play.

I loved the play, of course, but what I liked best was sitting next to him on the ride home.

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Filed under Theater