Category Archives: Music

A zip of the lip

A very wise man—my late father-in-law—was known to say, “He who talks often is seldom heard.”

He also used to ask, “Is all that talking really necessary?”

For someone to whom words are a profession, a hobby, a love, even half a moniker, this Word Nymph has been thinking a lot about silence.

Perhaps it’s the time of year, or the signs appearing before me in recent days. The Sounds of Silence playing on the radio. References to the evils of loquaciousness in my daily horoscope. A favorite hymn in church yesterday, Let All Mortal Flesh Keep Silence, stirred me to wordlessness. Message from the universe: Shut yer yap.

In my faith tradition, the upcoming season of Advent is much ado about silence. Many kick off the season with a silent retreat, followed by three weeks of quiet reflection, listening, expectation, focus outside oneself. Regardless of our traditions, this isn’t a bad discipline to follow.

Modern humans have spurred a society that abhors dead air and assaults it with voices. While others speak we are already thinking of what we will say next—and, ever impatient, we interrupt them mid-sentence with our treasured views. As a child whose report cards often reported that “Monica talks too much in class,” I plead talkative as charged.

Modern media have ignited an explosion of expression. Talk radio, talking heads, talk-talk-talk. Tap-tap-tap a 2,500-word Christmas letter and a 750-word status update.

Enough already.

It seems a good time to undertake a new social discipline. While word count is a key metric in my work as an editor, it never occurred to me that I could put it to use elsewhere. What if I followed the Twitter theory and kept my utterances to fewer than 140 characters?

As an experiment, I pledge to do my best for the rest of this year to use my words more judiciously. To the best of my ability I will:

  • Listen first, speak second. After all, there’s a reason we were given two ears and only one mouth.
  • Not feel compelled to fill silence with talking. Silence can create an opening to ideas, energy and more thoughtful words–while excessive talking can suck the energy out of the room and everyone in it.
  • Not overestimate others’ interest in what I have to say. That story, that memory, that dream I find so fascinating? Others, not so much.
  • Not consume more than my share of the airwaves, leaving plenty open for others.
  • Begin fewer sentences with I and My.

Join me, won’t you?

One final comment: Some of the most stirring renditions of Let All Mortal Flesh Keep Silence are the ones without lyrics.

Word Count: 439 (still too many)

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Filed under All Things Wordish, Holidays, Music

Together again

Once upon a time, more than 30 years ago, there lived three young women who attended The Catholic University of America. Late at night, when their brains buckled under the weight of René Descartes and Saint Thomas Aquinas, they turned to music to unwind.

Within the concrete walls of 109 Zimmerman Hall, the tenor voice of Jonathan Edwards soothed our worries and helped give meaning to our lives. The turntable situated between the room’s two barred windows in the Brookland neighborhood of Washington, D.C., spun folk and rock inspiration from all the great modern philosophers—Bonnie Raitt, Jackson Browne, Neil Young, and, yes, Jonathan Edwards. (Not to be confused with the 18th century theologian of the same name).

Jonathan Edwards, theologian

Jonathan Edwards, musician

Jonathan Edwards’ album, Jonathan Edwards, had been in the record collection I took to college. It had come out in 1971, with just one song, “Sunshine (go away today)” having made the top 40. Everyone knows that one song, but few, I’d say, know the other 11. We played that album until there were no grooves left. Whenever the pressures of college life bore down, on us and our friends across the hall, 109 Zimmerman became our shanty.

Six of us went to see him at The Cellar Door in Georgetown in 1979 and managed to get back stage. As a friend of mine likes to say, “Buy me a glass of wine and I’ll tell you the story.”

Anyway, last Friday night, we three girls from 109 Zimmerman got together again—for a Jonathan Edwards show in Annapolis. While sipping cranberry juice, club soda and iced tea, we went back in time. We reminisced and sang. We laughed and lapped up Edwards’ stories, some of which we had heard, as others caught us up on the songwriter’s life and adventures of the last 30 years. We marveled at his still-smooth voice and his wailing harmonica, agreeing with his own characterization of his musical genre – “hard folk.”

One roomie’s husband, who graciously tolerated the reunion, picked up our dinner check.

We didn’t go backstage.

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Bieber peever

Dear Justin,

I love ya, kiddo. You have a sweet smile. Your music is catchy enough. You’re tight with your mama.

Since you first made the scene, your mother has been right by your side. I’ve read that she took over your schooling when you were on the road. I admire that. But you’re eighteen now. It’s time you took responsibility for your education.

I was encouraged to hear you tell the ladies on The View that you looked forward to continuing to mature and learn. You seem to be a grounded, smart, reasonably articulate young man and, quite likely, you have plenty of smart, articulate people working for you.

Here’s the thing.

It’s your new hit single, “Boyfriend.” You know, don’t you, dear, that “If I was your boyfriend” is incorrect? Not incorrect in the musically acceptable ain’t-got-no way. Incorrect in the it-sounds-right-to-me-and-anyhow-that’s-what-everybody-says way. I’m disappointed that your mother, your fellow songwriters, producers, agents and marketeers didn’t advise you to change one simple word, just to make you sound like the smart young man you probably are.

Justin, in case your lessons skipped over the subjunctive mood, or you missed my blog post on the topic, it’s not “If I was your boyfriend.” It’s “If I were…” As in “If I Were a Rich Man.” That one ought to be easy for you to remember.

When your ditty, now #11 on the Top 40 charts, comes on the radio, I change the station. When Jazzercise plays it during my leg routine, I burn extra calories by fuming over the horrid grammar.

If I were your mother, I’d take a red pen to your little opus. Okay, I’d be willing to overlook all of your colloquialisms. I’d even let you rhyme “go” with “before.” But I’d ask you set a good example for your young fans and get the big stuff right:

“Boyfriend”
Written by Mike Posner, Matthew Musto, Mason Levy (edited by the Word Nymph)

If I was were your boyfriend, I’d never let you go
I can take you places you ain’t never been before
Baby take a chance or you’ll never ever know
Ive got money in my hands that I’d really like to blow
 Swag swag swag, on you
Chillin’ by the fire why while were eatin’ fondue
I dunno about me but I know about you
So say hello to falsetto in three two

I’d like to be everything you want
Hey girl, let me talk to you

[Chorus]
If I was were your boyfriend, never let you go
Keep you on my arm girl, you’d never be alone
I can be a gentleman, anything you want
If I was were your boyfriend, I’d never let you go, I’d never let you go

Tell me what you like yeah tell me what you don’t
I could be your Buzz Lightyear flying across the globe
I don’t never wanna fight yeah, you already know
I‘ma make you shine brightly like you’re laying lying in the snow
Girlfriend, girlfriend, you could be my girlfriend
You could be my girlfriend until the —- world ends
Make you dance do a spin and a twirl and
Voice goin’ crazy on this hook like a whirlwind

I’d like to be everything you want
Hey girl, let me talk to you

[Chorus]
If I was were your boyfriend, never let you go
Keep you on my arm girl you’d never be alone
I can be a gentleman, anything you want
If I was were your boyfriend, I’d never let you go, I’d never let you go

[Bridge]
So give me a chance, ‘cause you’re all I need girl
 Spend a week wit your boy I’ll be calling you my girlfriend
If I was were your man, I’d never leave you girl
I just want to love you, and treat you right

[Chorus]
If I was were your boyfriend, never let you go
Keep you on my arm girl you’d never be alone
I can be a gentleman, anything you want
If I was were your boyfriend, I’d never let you go, never let you go

Na na na, na na na, na na na
Ya girl
 Na na na, na na na, na na na ey
 Na na na, na na na, na na na ey
 Na na na, na na na, na na na ey

If I was were your boyfriend

What?! Your mama didn’t teach you lie versus lay?

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Survey says…

The recent passing of TV game show host Richard Dawson has me feeling a little Family-Feudish.

By the way, I know someone who knows someone who was once on Family Feud. Are you impressed?

You wouldn’t be impressed if I were playing.

You know it goes: Contestants are asked to “Name something that …” as they aim to match their answers with answers of others on their team, as well as with survey responses cast by the audience. If instructed to name something you would find your refrigerator, for example, you might say “milk,” knowing that might be a popular—and hence, high scoring—answer.

If I were to be truthful I’d say “a canister of 35-millimeter film,” or today, “a brick.” But then I’d likely win no points for a match.

Suppose I asked you to Name Something You Would Take on a Beach Vacation. Would you say, an umbrella, a good book, a Frisbee perhaps?

If I were playing Family Feud, perhaps I’d name those things too. But what if I were answering based solely on what I need to occupy a particular cottage, one that is perfectly situated on a beautiful beach, but is ill-equipped to handle my needs?

How many points would I earn I earn if I told you truthfully what will soon go into the trunk of my car?

  1. A specialty whisk, two knives and a cheese grater
  2. A pesto torte, along with the clay brick that makes it mmm-mm good
  3. A bottle of homemade ginger walnut salad dressing
  4. A jar of lemon curd (you never know when you’ll need one)
  5. Fresh mint, for making chilled cucumber soup
  6. Apples to Apples, Taboo and Boggle, three must-play beach cottage games
  7. A bathroom rug
  8. A sound machine, for playing my carefully constructed beach playlists
  9. A noise machine, in case the Atlantic isn’t white noise enough
  10. A large E-Z UP canopy, to shade our dune deck during Happy Hour (when we’re sipping cucumber soup, of course)

Say the game were reversed, you were packing for vacation, but you got points for unique answers.

Go!

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Filed under Food, Hearth and Home, Movies, Television and Radio, Music, Sports and Recreation, Travel

Born to entertain

I’m picky about my rock legends.

Having been to scores of concerts, I’ve seen most of the musical greats live on stage, even met one or two. I still listen to all my favorite recordings, singing along and reliving the highlights of my career as an avid listener.

But I rarely go to see these idols live anymore. It often pains me to see how they’ve aged, how some have lost their ability to sing as they used to. Aging is a natural part of life, I know; I just prefer to remember the legends as they were.

Bruce Springsteen still is as he was. Only better.

I’ve told you before that I’ve been to more Springsteen concerts than I can count, the first one 37 years ago. As many Springsteen concerts as I’ve attended, I hadn’t been to one since I was in my 20s. I’m now in my 50s, as were most of the fans filling Washington, D.C.’s Verizon Center Sunday night, some of whom have spawned a whole new generation of fans.

If you’re a fan, I don’t need to tell of the magic of Bruce. If you’re not, then you likely already quit reading after the third paragraph.

This isn’t a concert review; rather, just a recap of the impressions occupying my consciousness in the afterglow of the evening.

Bruce Springsteen is a man who . . .

  • At the age of 62, is as fit and energetic as he was at 25–and plays a better guitar than ever.
  • Speaks out boldly for his passions—personal, professional and political.
  • Might not enunciate his lyrics clearly, but has millions of fans sing along verbatim.
  • Still looks on the outside like the rugged bad boy we all fell in love with, but has mellowed into a sensitive and humble man who isn’t afraid to sing about Jesus and end his show with a “God bless.”
  • Has brilliantly mastered the art of musical orchestration and stage production to the extent it seems impossible to top.
  • Deeply misses, nearly to tears, his friend and saxophone player Clarence Clemons.
  • Had the wisdom to bring in Clarence’s nephew, Jake Clemons, to fill the Big Man’s big shoes and throw in four additional horns for good measure.
  • Has proven it’s possible to work successfully, side by side, every day, with one’s spouse.

Bruce gave 20,000 lucky fans three hours of musical muscle for their money. And while he was in town, he saw to it that wounded veterans from Walter Reed Army Medical Center, as well as those served by DC Central Kitchen, were included in the magic.

Yes, indeed. The man’s still got it.

More…

For a real review, today’s Washington Post says it more eloquently than I, and had more space to work with: Read David Malitz’ excellent account.

Previous Word Nymph pieces:

The Boss
Big Dream

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Inspiration

In a concert Mary Chapin Carpenter once introduced her song, “The Last Word,” as many songwriters do, by telling the audience what inspired her to write it. She observed that often writers are inspired by the beauty of nature or an overwhelming feeling of love. “I wrote this one,” she said, “because I was pissed off.”

Today, all mankind is on my nerves.

Years ago, a loved one made me laugh when she shouted, very seriously, “What is everybody’s problem?” Today I can relate. Surely it isn’t me. (I know, it’s I.)

The experts say that making a list can be a good first step in addressing the source of one’s anger. So here goes.

  1. When people who borrow my books write in them
  2. When texters walk in front of moving cars
  3. Rush Limbaugh
  4. Rush Limbaugh
  5. Rush Limbaugh
  6. When people expect the Earth to revolve around them
  7. When people over-post on Facebook
  8. When people spew venom on Facebook
  9. Facebook
  10. When The Washington Post doesn’t know who from whom
  11. Me, for over-consuming and under-producing — and getting pissed off.

Thanks. I feel better.

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Filed under Family and Friends, Music, News, Politics, Rants and Raves, Technology and Social Media

Waring thin

December relics, part two

This time of year I spend a lot of time standing at the intersection of Memory Lane and Frustration Freeway.

Yesterday, I took you on a tour of my aging crèche. Last December you kindly indulged me in accounts of favorite holiday movies (including a really old one), traditional cookies and some pleasant and less pleasant family rituals.

Today, I remember Fred Waring.

From my youngest days, the definitive holiday album in our house was The Sounds of Christmas, by Fred Waring and The Pennsylvanians (sometimes called His Pennsylvanians). I’m pretty sure this record made its way into our home about the same time I did.

You can go online and read all about Fred Warning who, by the way, was also promoter, financial backer and namesake of the Waring Blendor. Yes, with an o.

There were songs on that album that you don’t hear—at least I haven’t heard—on other collections:  “I Wonder as I Wander,” “Go Where I Send Thee,” for example. I always loved his rendition of “Caroling, Caroling.”

The pops and cracks of the LP are essential elements of the audio experience, and they transferred well when my mother copied the record to a cassette tape for me one year. Short of digging a boom box out of the basement, though, there’ll be no easy way for me to enjoy The Sounds of Christmas this year.

Amazon would be happy to sell me a CD version for 99 dollars. Another site offers a CD copy of the LP for $24, but “to abide by copyright laws, you must own the vinyl record to buy the CD. If you don’t already own the record, you can purchase one with your CD.” I wonder (as I wander) what proof they require that an LP exists somewhere in our family.

While browsing the Fred Waring shelves in cyberspace, I was offered an opportunity to acquire a Waring carol as my ringtone. Having never tapped into an online ringtone, I stupidly completed three steps on a site called Jamster which, by its name, should have clued me in that they’d have no Fred Waring. Indeed, despite the come-on, they didn’t and my mobile account was charged $9.99. I then spent 20 minutes on the phone with a gentleman in the Eastern hemisphere who finally agreed to send me a hard copy refund check via snail mail.

But I digress. Literally.

What’s your definitive holiday album?

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Stream of unconsciousness

It’s interesting where roads lead. Sometimes a little free association can take us down an amusing path to sparkling treasure.

For me, the starting point was ballroom dancing. As a freelancer, my flavor of the week can be just about anything; this time, it’s dancing. Often when I start a new writing project, I go to sleep with ideas swirling about, in hopes a few will collide and stir creative copy. Other times, it’s just dust.

While listening to the radio on Sunday, I sang along with Procol Harum’s “A Whiter Shade of Pale,” as I had a thousand times before. It’s a beautiful song. This time, though, I wondered what in the world it meant that “We skipped the light fandango.” I thought about it. Could the phrase be a variation on “trip the light fantastic?”

I always considered trip the light fantastic to be ritzy and glitzy, from another era. I’ve never found occasion to use it in conversation, and certainly never understood where it came from or what it even meant exactly. (For you younger readers, it means to dance nimbly or lightly in a pattern.)

On Monday I woke up mulling my latest writing challenge. Might there be a place for tripping the light fantastic? I looked it up to ensure I understood the meaning and origin of the expression. Good thing too because I learned that, not only did it come from Shakespeare’s The Tempest, but “tripping the light fantastic” was sixties drug lingo.

I continued searching. And I found a most delightful poem by John Milton, L’Allegro, published in 1645. It’s 150 lines long; I’ll share just the first excerpt that popped up:

Haste thee, Nymph, and bring with thee
Jest, and youthful Jollity,
Quips and cranks and wanton wiles,
Nods and becks and wreathed smiles
Such as hang on Hebe’s cheek,
And love to live in dimple sleek;
Sport that wrinkled Care derides,
And Laughter holding both his sides.
Come, and trip it, as you go,
On the light fantastic toe;
And in thy right hand lead with thee
The mountain-nymph, sweet Liberty;
And, if I give thee honour due,
Mirth, admit me of thy crew,
To live with her, and live with thee,
In unreproved pleasures free …

Don’t you just love it?

Later in the poem, I found bonus words I’ll tuck away, should I ever be hired to write about beer:

To many a youth and many a maid,
Dancing in the chequer’d shade;
And young and old come forth to play
On a Sunshine Holyday
Till the live-long daylight fail,
Then to the spicy nut-brown ale.

So here’s to A Whiter Shade of Pale.

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Silly songs

While we’re on the subject of song lyrics, may I share something else?

I’ve told you before that all twenty-something of my iPod playlists are themed. Surprised? Each one is fashioned around an era, a genre, a mood or a bit of subject matter, sometimes a bit subtle but always cohesive.

Recently I went a little wild and created a playlist willy-nilly. No theme; I just named it Background Music. I made it for a little get-together, to which most invitees didn’t show, so it’ll be safe to bring out again.

Meanwhile, I put it on two CDs, in my own version of Shuffle (songs organized in alphabetical order, pretty crazy, eh?). While listening to these, I discovered that a theme has nonetheless emerged—laugh-out-loud lyrics.

For example:

“They say that absence makes the heart grow fungus.”

“I don’t remember you looking any better, but then again I don’t remember you.”

“My dog’s not in your dumpster.”

“Mama’s been cryin’ in the kitchen since morning; she cried right through As The World Turns.”

“Trying my best to set the highway on fire, but my bicycle won’t go no faster.”

“You think you’re so smart but I’ve seen you naked.”

“I dug up this old photograph; look at all that hair we had.”

“When it rains, I pour.”

Have you any of your own that might have zipped by us without notice? Do share.

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Gavotte words?

Do you ever think about—really think about—where we get our vocabulary words?

They come from an endless variety of places. There are the ones we were forced to learn in school, the ones we read in books and looked up, the ones we heard smart people use and adopted as our own. There are the ones our parents wrote on cards and made us study in the small room of the house.

I don’t know about you, but I’m still collecting vocabulary words. From time to time I spotlight my favorite ones in this space. Right next to the song lyrics.

Only recently have I thought about the words I learned in my adolescent years as a radio junkie. One day last week, while in the car, I remembered the first time I ever heard the word invincible. I wonder if you learned it from the same source.

If you’re about my age, and you grew up listening to Top 40 hits of the 60s and 70s, you too might have learned invincible from Helen Reddy. “I am strong, I am invincible, I am wom-a-a-a-n.”

I’m making an effort now to listen more closely and nostalgically to the oldies so I can build the list.

I had never heard of a funeral pyre until 1967, when The Doors sang, “and our love become a funeral pyre,” which I confess I thought was funeral parlor; it makes about as much sense, not to mention the lack of subject-verb agreement. Leon Russell came along in 1972 with “I’m up on a tight wire, flanked by life and the funeral pyre.”  I still didn’t know what a pyre was but I liked the song and, looking back, it’s pretty darn poetic.

Let’s skip over pompatus, because it’s been overdone and everyone knows pompatus isn’t really a word. Next?

Again in 1972, I learned a word that I couldn’t imagine ever using, but it caught my attention when Carly Simon sang, “You had one eye in the mirror as you watched yourself gavotte.” I think I did try to look up gavotte as a curious 12-year-old, and have been looking for the right opportunity to use it ever since. It was also in  “You’re So Vain” that I first heard of Saratoga.

In 1973, I first heard the word espionage. Anyone remember where? It’s obscure, I know. “He’s a mastermind in the ways of espionage.” All these years later, I still know all the words  to “Uneasy Rider” by Charlie Daniels (from which I also first heard of John Birch and Mario Andretti).

I know there are more. Can we keep this going?

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